
I write this with about 6 fingers of Michter's 10 year bourbon in my gut on a Saturday night, the TV screen paused on "THE END" of one of maybe a handful of movies I'd recommend. BAD DAY AT BLACK ROCK is the movie, and upon re-watching it's apparent what a step forward from, and in the same vein as, YOJIMBO, (another recommendation, as I'm sure you'd know if you've read THE BAREFOOT SERPENT) it is. I've got to say how pleased I am to be reminded of characters and structure that stray from the holy Joseph Campbell in some ways. It's a hero's quest, make no mistake, yet if you were to project Campbell's formulas on the story you'd find your hero appearing during the second act pinch and your mentor disguised as your apparent main character. I'm stricken with this, and with how it affects the structures of certain stories. BREAK THE RULES, is the point, and sometimes, if you do it with skill and gusto, it still works. Maybe you need no character arc. Look at BEING THERE, and FORREST GUMP, and what we ended up doing in WALL*E. Maybe your main character can invoke change in others while experiencing none in themselves...or at least none that affects the plot or central character structure directly. Now does this hint of where THE PROJECTIONIST will go? Who knows? Not me. I write these STRANGE SCIENCE FANTASY's from the hip at this point, not even pencilling them. Straight ink, image by image, with scant plot strewn together as I go. It's an exercise, and if I don't keep in shape my strength as a storyteller will falter, leaving what? Whatever. Just enjoy what rolls off the cheap brush pens. I am.










